Thursday, November 18, 2010

"did you know that we live in a beautiful place?"




We were almost in the clouds. The sky had hurled itself against the mountains like a sea attacking a stony headland, and spent its cold energy in half an hour. The clouds were dissolving, yet the sky did not get any brighter, because the sun was going down. But Orolo with his cosmographer's eye had noted on the flank of a mountain a stretched patch that was brighter than the rest. When I first saw what he was pointing at, I guessed that hail had silvered the boughs of trees in some high vale. But as we watched, the color of it warmed. It broadened, brightened, and crept up the mountainside, setting fire to individual trees that had changed color early. It was a ray coming through a gap in the weather far to the west, levering up as the sun sank.

"That is the kind of beauty I was trying to get you to see," Orolo told me. "Nothing is more important than that you see and love the beauty that is right in front of you, or else you will have no defense against the ugliness that will hem you in and come at you in so many ways."

From Fraa Orolo, of all people, this was an astonishingly poetic and sentimental remark. I was so startled that it didn't occur to me to wonder what Orolo was referring to when he spoke of the ugliness.

At least my eyes were open, though, to what he wanted me to see. The light on the mountain became rich in hues of crimson, gold, peach, and salmon. Over the course of a few seconds it washed the walls and towers of the Millenarian math with a glow that if I were a Deolater I'd have called holy and pointed to as proof that there must be a god.

"Beauty pierces through like that ray through the clouds," Orolo continued. "Your eye is drawn to where it touches something that is capable of reflecting it. But your mind knows that the light does not originate from the mountains and the towers. Your mind knows that something is shining in from another world. Don't listen to those who say it's in the eye of the beholder."


from Anathem by Neil Stephenson





I don't really have anything to say right now... at least, nothing that ought to be said in public. So, I'm just going to leave this here.